INCIDENCE

Through Incidence, I explore the fine line between taking control and losing it, becoming a “glitch.” Using a purely mechanical process, I provoke a malfunction between my analog camera and its digital back. Though these disruptions, strokes of colour and shape transfers appear, awakening ghostly spectres within the images.

The glitch-induced image mirrors a sense of disassociation. Within this body of work I would like to question our relationship to our image and the impact of societal expectations on women’s bodies. How in the age of social media, images both liberate and alienate us.
I attempt to evoke a sense of vertigo, the shifting space between our physical and non physical form.

Can we rethink our image without rethinking the tools used to shape it ? How can we stop seeing ourselves as dysfunctional and allow our doubles to appear ?
This is an attempt to leave the trace of an inner landscape that burns within.

“Glitch” was originally a term used by radio and television technicians. It means “to slip,” “to let slip,” or “to waver.”

WORK IN PROGRESS.